Abstract
ABSTRACT I use haunting as a conceptual metaphor to consider the mnemonic significance of a gay bar called Heaven. Spectrality offers a ghostly foundation upon which I theorize queer loci, which characterizes autoethnographic recollection rooted in a queer phenomenology of formative locations. I address a few ways that Heaven haunts my intellectual architecture, or how I recollect and construct autoethnographic arguments. Transposing Sara Ahmed’s queer phenomenology over my first queer haunt, I advocate autoethnographic recollection that is explicitly rooted in distinctly queer locations and commonplaces.
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