Year-end Sale % OFF 
Abstract
This article focuses on how William Shakespeare's plays may be translocated into the Indian setting. It analyses the approaches undertaken by film director Vishal Bhardwaj in transforming Othello into Omkara (2006). The dominant readings of the film suggest how Othello's colour and race have been adapted into Omkara's caste identity to fit it to the Indian context. I argue though, that Bhardwaj banks on the emotion of jealousy and insecurity arising from the emotion while downplaying the subject of caste.
Published Version
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
More From: Cahiers Élisabéthains: A Journal of English Renaissance Studies
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
